1610

Author : Mary Gentle


35 AED

Valèntin Rochefort professional duellist and down-at-heels aristocrat arranges the assassination of Henri IV King of France. Fleeing from the consequences he makes for England on the way picking up two companions ¿ a young boy Dariole and a ship-wrecked ¿demon¿. Dariole is discovered first to be a girl and then to be Rochefort¿s sister; the ¿demon¿ is Tanaka Saburo a Japanese samurai on ambassadorial mission to England from the Shogun; and Rochefort is found by a pack of Hermetic mages and conspirators who want him to arrange the same thing for King James I/VI of England as he did for Henri of France. Rochefort is blackmailed into arranging the death of King James at the performance of a Hermetic magic play. Meanwhile Dariole is busy making forays into Shakespeare¿s theatre as England¿s first (and worst) female actor . . . 1610 really isn¿t Rochefort¿s year ¿ And as the play¿s performance and the assassination approach Rochefort¿s dreams of the future that may spring from this crucial year grow increasingly stranger and more contradictory. He realises he must act ¿ but how? What is the right choice? And how much of the future will depend on what he does?


Valèntin Rochefort professional duellist and down-at-heels aristocrat arranges the assassination of Henri IV King of France. Fleeing from the consequences he makes for England on the way picking up two companions ¿ a young boy Dariole and a ship-wrecked ¿demon¿. Dariole is discovered first to be a girl and then to be Rochefort¿s sister; the ¿demon¿ is Tanaka Saburo a Japanese samurai on ambassadorial mission to England from the Shogun; and Rochefort is found by a pack of Hermetic mages and conspirators who want him to arrange the same thing for King James I/VI of England as he did for Henri of France. Rochefort is blackmailed into arranging the death of King James at the performance of a Hermetic magic play. Meanwhile Dariole is busy making forays into Shakespeare¿s theatre as England¿s first (and worst) female actor . . . 1610 really isn¿t Rochefort¿s year ¿ And as the play¿s performance and the assassination approach Rochefort¿s dreams of the future that may spring from this crucial year grow increasingly stranger and more contradictory. He realises he must act ¿ but how? What is the right choice? And how much of the future will depend on what he does?
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